TRADING ROUTES December 3 & 9

Solo Performance Works by Michael Sakamoto & Mitsu Salmon

Midwest Nexus Touring Grant Exchange

Sunday // December 3 at 7PM
Saturday // December 9 at 9PM

LINKS HALL
3111 W. Western Ave, Chicago, IL

As part of Trading Routes Festival
Tickets $12-15 at www.linkshall.org


BLIND SPOT
Michael Sakamoto & Christopher Jette
Sakamoto and Jette present excerpts from “blind spot,” a work-in-progress dance and sound performance. Using Michael’s autobiographical narrative and visual metaphors from photography and cinema, “blind spot” addresses the intersection between intellectual property, corporate militarism and personal narrative.

TSUCHI
Mitsu Salmon 
Tsuchi is a solo interdisciplinary performance piece. It draws from Mitsu’s great- grandfather’s experience of immigrating from Japan to Hawaii as a farmer and then becoming his dream of becoming a high-end waiter. The piece delves into and obscures his life and then branches out to the stories of Mitsu’s. The work explores questions of family and travel through Butoh, contemporary, dance, and everyday movements with music and text. Awarded best collaborative multimedia dance performance and Top 5 best emerging dancer performances from Newcity 2015.


About the Artists:
MITSU SALMON creates original performance and visual works, which fuse multiple disciplines. Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater.
She has performed solo work at places such Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer (Berlin) Central Saint Martins (London), and Urbanguild (Kyoto). She has participated in the Asquared Asian American Performance Festival in Chicago, the Berlin Performance Art Festival, and Act Art London Performance Art Festival. She has been awarded artists residencies at Earthdance in Massachettes, Oxbow in Michigan, Tsung Yeh in Taiwan and Villa Pandan Harum in Bali, Indonesia. In Chicago, she has been awarded residencies through High Concept Lab, the Cultural Center, and Links Hall. www.mitsusalmon.com

MICHAEL SAKAMOTO is an interdisciplinary artist active in dance, theatre, media and photography and one of the leading butoh-based performers in the USA. Dedicated to nurturing intercultural dialogue and cultural sustainability through performative and visual methodologies, Michael creates choreographic and narrative performances, media works and photo essays designed to challenge audience assumptions and reveal diverse experiences across geography, language and social boundaries. His works have been presented in 14 countries throughout Asia, Europe and North America, including at REDCAT, Vancouver International Dance Festival, Dance Center of Columbia College (2016), TACT/Fest Osaka, UCLA Fowler Museum and many others. He is currently touring: “Flash”, a butoh/hip-hop duet with acclaimed choreographer Rennie Harris; “Soil”, a dance theater trio with Southeast Asian dancers; and “blind spot”, an intermedia solo performance exploring intellectual property censorship and corporate militarism. Michael is also writing a book project, “An Empty Room: Butoh Performance and the Social Body in Crisis” for Wesleyan University Press.

CHRISTOPHER JETTE is a curator of lovely sounds, creating work as a composer and new media artist. His creative work explores the artistic possibilities at the intersection of human performers/creators and technological tools. Christopher’s research details his technical and aesthetic investigations and explores technology as a physical manifestation of formalized human constructs. A highly collaborative artist, he has created works that involve dance, theater, websites, electronics, food, toys, typewriters, cell phones, instrument design and good ol’ fashioned wood and steel instruments. In addition to creating concert music, Christopher explores Creative Placemaking through site-specific and interactive work as a core-four member of the Anchorage based Light Brigade. He was the 2015-16 Interdisciplinary Grant Wood Fellow and Visiting Assistant Professor of Music at the University of Iowa and currently serves as Visiting Artist at Stanford University’s Center for Computer Research in Music and Acoustics.

Embodying the Spirit

TWO EVENINGS OF BUTOH TRAINING
September 26/27 6-9:30pm $50 per night, $90 for both
@Outerspace!! 1474 N. Milwaukee Ave.
Register online

Embodying the Spirit: Butoh Training with Joan Laage
Experience training methods towards a supple body and mind, and investigate aesthetics common to Butoh through creative explorations. This workshop is a process of erasing and re-creating the body through guided improvisation largely inspired by nature imagery. ETS explores endless questions: What is life? What is the human condition? What is the body? How can we experience infinity within the body/mind? The workshop structure includes exercises and explorations of physical body, nature body, and transforming body. Group and partner work will facilitate participants’ individual and collective journeys. The workshop draws from her training with Butoh Masters Kazuo Ohno and Yoko Ashikawa and her background as a Tai Chi practitioner and professional gardener.

Joan Laage (Kogut Butoh) studied under butoh masters Kazuo Ohno and Yoko Ashikawa and performed with Ashikawa’s group Gnome in Japan in the late 80s. After settling in Seattle in 1990, she formed Dappin’ Butoh, a company known for its appearances in Seattle’s fringe theater and dance festivals. Joan has performed and taught at national and international butoh and dance festivals, and was a featured artist at the UCLA Butoh Symposium in May 2011, and has been an adjunct faculty at Cornish College of The Arts (Seattle). She is featured in Dancing Into Darkness: Butoh, Zen, And Japan and Butoh: Metamorphic Dance and Global Alchemy by Sondra Horton Fraleigh. She performs frequently at the Seattle Japanese Garden where she is a docent. Joan is known as a NW butoh pioneer, and is a founding member of DAIPANbutoh Collective which produces an annual butoh festival in Seattle. www.seattlebutoh-laage.com www.daipanbutoh.com

Please direct any questions to butohchicago@gmail.com. Thank you for your interest!

Battles:SS3 Post-Butoh Festival

SS 3 PROMOArtistsApril 5-30 Workshops, Performances, Screening & Dinners throughout the month of April

bat-tle: Friction caused by entities who disagree, collide, or conflict

When called to Battle, where do we stand? In resolution? Rebuke? Revenge? Each performance this year features artists exploring the concept of Battles and alternative possibilities.

International Guest Artists
I’m delighted to welcome artists Ken Mai (Finland) and Mari Osanai (Japan), and Paul Michael Henry (Scotland) teaching workshops throughout the month.

Workshops:
April 5-9 Mari Osanai Noguchi Workshops (REGISTER)
April 14-15 Paul Michael Henry Butoh Workshops (REGISTER)
April 26-30 Ken Mai Butoh Workshops (REGISTER)

Performances and Screenings (more TBA):
April 8 Battles #1:Preparation at No Nation Gallery (RSVP)
April 15 Battles #2:War at The Learning Machine (RSVP)
April 22 Reparations co-curating with In/Habit Roving Performance Art Series more TBA
April 29 Battles #3:Return at the Japanese Culture Center (RSVP)

**EARLY REGISTRATION DEADLINE MARCH 20**
FESTIVAL PASSES FOR ALL EVENTS (REGISTER)

Local and Visiting Artists
Including Kiam Marcelo Junio, Wannapa P-Eubanks, Cristal Sabbagh, Holly Chernobyl, Carole McCurdy, Efrén Arcoiris, Adam Rose and April Lynn, //interference, Peter Redgrave, Alba Soto, Pepper Pepper and More

Stay tuned for more events that will be co-curated with In/Habit Performing Art Series, including film screenings, dinners and talks. This year, we are proud to be fiscally sponsored by Antibody Corp. Your tax deductible donation is sincerely appreciated, so contact me if you have food, beverages, or money to support our performing artists. Donate kindly, here

Stay tuned for the latest updates and full calendar of events~ and I look forward to meeting you on the dance floor. BATTLE IT OUT to lift us all UP.

Early Registration Deadline Extended!

Yumiko YoshiokaThere are a few more days to catch the Early Registration Deadline for Yumiko’s Workshop April 21-24! Purchase full immersion tickets for $185 until April 7 at 6pm, or use the code: 34rlyb1rd for 10% of individual day ticket sales. More information about the workshop here: https://butohchicago.wordpress.com/yumiko-in-spring/

 

BUTOH NOW

April 2, 12-3pm. One Day Only Workshop at Columbia Dance Center 
This three hour workshop and conversation delves into contemporary Butoh thought and artistic practice. Visiting Butoh dancer and scholar Michael Sakamoto leads a two hour movement workshop followed by a conversation with Columbia Dance Center faculty and dancer Darrell Jones to enlighten us on their individual approaches to presenting Butoh within contemporary performance practice. Come prepared to move and reflect. All levels welcome! RSVP for this free workshop ASAP. Class size is limited to 24.

BUTOH NOW: Michael Sakamoto and Darrell Jones
BUTOH NOW: Michael Sakamoto and Darrell Jones

Michael Sakamoto is an interdisciplinary artist and scholar active in dance, theatre, performance, media and photography. His solo, ensemble and visual works have been presented in 14 countries throughout Asia, Europe and North America.

Currently touring “Flash,” a butoh/hip-hop duet with Rennie Harris, Michael is also developing “blind spot,” an intermedia performance and book project integrating discourses around the body, media imagery and intellectual property, and “Soil,” a dance theater trio with performers from Thailand, Cambodia and Vietnam/USA. Michael’s research and performance interests include contemporary imaginings of the butoh-based “body in crisis,” corporeal and mediated embodiments of self-reflection and social resistance, and performing the cultural commons and cultural sustainability. From 1994-2000, he was also a featured soloist in the Rachel Rosenthal Company.

Michael holds an MFA in Dance and PhD in Culture and Performance from UCLA, is former Co-Director of Goddard College’s MFA in Interdisciplinary Arts Program and currently serves as Assistant Professor in Dance at the University of Iowa.

Darrell Jones has performed in the United States and abroad with a variety of choreographers and companies such as Bebe Miller, Urban Bush Women, Ronald K. Brown, Min Tanaka and Ralph Lemon.

Along with performing Darrell continues to choreograph and teach. He has collaborated with other choreographers (Paige Cunningham, Lisa Gonzales, Damon Green, Angie Hauser, JSun Howard, Kirstie Simpson, Jeremy Wade), writers (Cheryl Boyce-Taylor), musicians (Jessie Mano, Brian Schuler, Justin Mitchell) and designers (Mawish Syed) in dance films, documentations and interactive multimedia installations. In addition to his collaborative work he continues to work in solo forms and has choreographed for professional and student ensembles (The Seldoms, University of Colorado, Univeristy of Illinois).

Darrell has received choreographic fellowships from MANCC, CDF (Chicago Dancemakers Forum) and is a two time Bessie award recipient for his collabrative work with Bebe Miller Company and his most recent research in (e)feminized ritual performance.

Darrell has also taught workshops and master classes in dance technique and improvisational processes throughout the United States and in other countries such as South Africa, UK, and South Korea. Darrell is presently a tenured faculty member at at The Dance Center of Columbia College in Chicago where he teaches classes in dance techniqe, performance and improvisational practices. His classes are informed by his training and studies in a variety of contemporary dance techniques and Traditional Dance forms.