TRADING ROUTES December 3 & 9

Solo Performance Works by Michael Sakamoto & Mitsu Salmon

Midwest Nexus Touring Grant Exchange

Sunday // December 3 at 7PM
Saturday // December 9 at 9PM

LINKS HALL
3111 W. Western Ave, Chicago, IL

As part of Trading Routes Festival
Tickets $12-15 at www.linkshall.org


BLIND SPOT
Michael Sakamoto & Christopher Jette
Sakamoto and Jette present excerpts from “blind spot,” a work-in-progress dance and sound performance. Using Michael’s autobiographical narrative and visual metaphors from photography and cinema, “blind spot” addresses the intersection between intellectual property, corporate militarism and personal narrative.

TSUCHI
Mitsu Salmon 
Tsuchi is a solo interdisciplinary performance piece. It draws from Mitsu’s great- grandfather’s experience of immigrating from Japan to Hawaii as a farmer and then becoming his dream of becoming a high-end waiter. The piece delves into and obscures his life and then branches out to the stories of Mitsu’s. The work explores questions of family and travel through Butoh, contemporary, dance, and everyday movements with music and text. Awarded best collaborative multimedia dance performance and Top 5 best emerging dancer performances from Newcity 2015.


About the Artists:
MITSU SALMON creates original performance and visual works, which fuse multiple disciplines. Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater.
She has performed solo work at places such Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer (Berlin) Central Saint Martins (London), and Urbanguild (Kyoto). She has participated in the Asquared Asian American Performance Festival in Chicago, the Berlin Performance Art Festival, and Act Art London Performance Art Festival. She has been awarded artists residencies at Earthdance in Massachettes, Oxbow in Michigan, Tsung Yeh in Taiwan and Villa Pandan Harum in Bali, Indonesia. In Chicago, she has been awarded residencies through High Concept Lab, the Cultural Center, and Links Hall. www.mitsusalmon.com

MICHAEL SAKAMOTO is an interdisciplinary artist active in dance, theatre, media and photography and one of the leading butoh-based performers in the USA. Dedicated to nurturing intercultural dialogue and cultural sustainability through performative and visual methodologies, Michael creates choreographic and narrative performances, media works and photo essays designed to challenge audience assumptions and reveal diverse experiences across geography, language and social boundaries. His works have been presented in 14 countries throughout Asia, Europe and North America, including at REDCAT, Vancouver International Dance Festival, Dance Center of Columbia College (2016), TACT/Fest Osaka, UCLA Fowler Museum and many others. He is currently touring: “Flash”, a butoh/hip-hop duet with acclaimed choreographer Rennie Harris; “Soil”, a dance theater trio with Southeast Asian dancers; and “blind spot”, an intermedia solo performance exploring intellectual property censorship and corporate militarism. Michael is also writing a book project, “An Empty Room: Butoh Performance and the Social Body in Crisis” for Wesleyan University Press.

CHRISTOPHER JETTE is a curator of lovely sounds, creating work as a composer and new media artist. His creative work explores the artistic possibilities at the intersection of human performers/creators and technological tools. Christopher’s research details his technical and aesthetic investigations and explores technology as a physical manifestation of formalized human constructs. A highly collaborative artist, he has created works that involve dance, theater, websites, electronics, food, toys, typewriters, cell phones, instrument design and good ol’ fashioned wood and steel instruments. In addition to creating concert music, Christopher explores Creative Placemaking through site-specific and interactive work as a core-four member of the Anchorage based Light Brigade. He was the 2015-16 Interdisciplinary Grant Wood Fellow and Visiting Assistant Professor of Music at the University of Iowa and currently serves as Visiting Artist at Stanford University’s Center for Computer Research in Music and Acoustics.

Michael Sakamoto One Day Workshop

_MG_0093 as Smart Object-1Body/Mind/Funk/Time Master Class with Michael Sakamoto
Sat, December 9, 2017
1:30-3:00 pm
Links Hall
3111 N. Western Ave.
Chicago, IL
$20.00
Register Online

A master class with dance theater artist Michael Sakamoto
Working from elements inspired by butoh and hip-hop dance practices, Michael leads students through a series of movement and image exercises in order to demonstrate his unique blend of intercultural identity and contemporary dance.

The workshop is open to dancers of all levels of experience. Keep in mind that it is physically rigorous.

Diego Piñón Body Ritual Movement (Samhain Edition)

Warmly welcome Diego Piñón to Chicago for
(Samhain Edition) Body Ritual Movement
October 27-29 at Outerspace Studios

Friday, Oct 27 6-10pm $65
Saturday, Oct 28 12pm-6:30pm $95
Sunday, October 29 12pm-6:30pm  $95
Full Weekend $215 (contact us for other payment options, butohchicago@gmail.com )

Eventbrite - Diego Piñon Body Ritual Movement (Samhain Edition)

“Butoh, since it’s beginnings in 1959, has always confronted notions of tradition, legacy, culture, innovation and contemporary manifestation. From the beginning, the key to this path has been the relentless search for the essence of art, as a refuge to our humanity.”

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BRM Trainings are both emotionally intense and physically challenging. Techniques that stimulate, expand and recapture energy from the body through the senses are used. The body is trained to awaken these sensitivities and vital energies in order to transform the limitations perceived in ourselves. A key foundation to the training is how it consciously uses a collective group experience to engage and expand this energy beyond the individual. It is from this enhanced opening that the creative and artistic work can begin to emerge. BRM proposes methods that stimulate sensory sensitivity, the imagination, and creativity to support the deep expression of each individual through movement.

BRM Training involves high-impact aerobic movement, active meditation, and guided improvisation; all embraced within a sense of communal ritual. The collective physical training consists of stretching, shaking, jumping, low-level groundwork, balancing, partnering, weight sharing, impulse exchange, bodywork, bioenergetics, breath expansion, and transpersonal communication.

Training for the spine, joints, and internal body spaces—our energetic centers—through focused breathing are used to regenerate and expand the currents of energetic exchange between our internal and external realities. Active meditation exercises are introduced to quiet the mind and awaken original, non-reactive impulses for organic movement. Guided improvisations then give participants the opportunity to integrate this newfound sensory awareness within their physical body, external environments, and the collective presence to reach new realms of creative potential.

Les Chanteuses Du Rien

Elaine Lemieux, Hanna Brock, and Sara Zalek dare the impossible…on the Washington Stairwell at the Chicago Cultural Center

Les chanteuses du rien
Thursday, October 19
12:30-1:30pm

ciprus_formidable-27As Part of Elevate 

Ultimately, we
want to surprise, disarm, and uplift the spirits of all
who witness, to continue
weaving the long tail of our
evolutionary story.

Elevate Chicago Dance marks the culmination of a multi-year Regional Dance Development Initiative produced by Chicago Dancemakers Forum and New England Foundation for the Arts (NEFA).  It is made possible with funding from Reva and David Logan Foundation, John D. and Catherine T. MacArthur Foundation, Richard H. Driehaus Foundation, National Endowment for the Arts, Chicago Park District/Night Out in the Parks, Chicago Department of Cultural Affairs & Special Events, and the Doris Duke Charitable Foundation through NEFA’s National Dance Project. Learn more about Chicago’s Regional Dance Development Initiative.

Ginger Krebs, Oct 1 & 8

Welcome Ginger Krebs back to Sundays Butoh Body class! As part of the OuterSpace Soft Opening, this weeks class is FREE. Welcome your dark side to the dance 12-2pm, October 1 (free), Oct 8 ($15 drop-in, Butoh Body class cards, or NEW OuterSpace Frequent Flyer Cards.

From Ginger, “We’ll work with rhythm, sometimes letting ourselves being carried by continuous loops, and at other times working against rhythm to discover new and surprising ways of moving.

We’ll explore the impulses to provoke and to protect, finding inspiration in our lives and in lesser known predator-prey dynamics.”

Ginger Krebs has been creating, performing and directing multi-disciplinary performance projects since 2005. Her work has been presented recently in Chicago at The Arts Club of Chicago, the Chicago Artists Coalition, the Storefront Theater, and the Hyde Park Art Center. She was awarded a MAP Fund grant for innovation in live performance in 2015, and her 2016 performance, Buffer Overrun, was chosen for the Chicago Tribune’s Best dance of 2016. Krebs is an Adjunct Associate Professor in Performance and Contemporary Practices at The School of the Art Institute of Chicago.
www.gingerkrebs.com